I am continuing with my Home Clothes Project. The goal of this was to give me versatile pieces that I could easily wear for various events and occasions. Halfway through the project, I decided to keep the stiffened bodice and the skirt separate for maximum versatility in my historical wardrobe. Both patterns were pulled from the Modern Maker Vol2. This gave me a solid baseline to work from, and I've used these patterns before, so I knew I wouldn't have to fuss too much with the fitting. The skirt is a basic A-line, with the most complicated bit being piecing the front and back panels together to get the fullness I wanted on the hem. I also took the time to face the skirt with cotton flannel to pad it out and provide the weight I like. This also provided maximum swish. And when wearing early Renaissance clothing, if your skirts don't swish, did you make them properly? The bodice was also fairly straightforward. It has been years since I put boning in the front of a bodice a...
Have you ever fallen in love with a fabric and immediately envisioned exactly what you wanted to make, only to realize halfway through the planning process that the fabric had other ideas? That’s exactly what happened with this project. I used Fabric Mart’s Black/Dark Cobalt/Smoky White Poly Foliage Print Chiffon , and while I initially had plans for a detailed dress, the fabric ultimately led me in a completely different direction—and I’m so glad it did. When I first saw this gorgeous chiffon print, I was immediately drawn to the rich color palette and beautiful movement. The dark background paired with the cobalt and smoky white foliage creates a striking look that feels both dramatic and versatile. My original plan was to make a dress with princess seams, buttons, and more structured design elements. However, after spending time with the fabric, I realized that all of those seam lines and construction details would compete with what makes this chiffon so beautiful: its drape, moveme...