Tuesday, September 16, 2014

Fashion Challenge #2 - It's All About the Fit -- What They Made!!

Wait till you see what these ladies created for the All About Fit Challenge! I think most of you can agree that fit is one of the hardest things about sewing. These ladies did an amazing job creating well fitted garments. Some contestants went for a more casual look while others went for an evening look. Take a look at everyone's finished garment and vote for who you think created the best well fitting garment. You have until Friday morning at 3am (eastern time) to cast your vote!

This week's challenge will be judged my myself (Julie) and Pamela Leggett from Pamela's Patterns. Pamela is a fit expert and will be giving each contestant feedback on their garments. Thank you, Pamela, for your help in the judging process!

Winner of this challenge will receive THREE FREE patterns from Pamela's Patterns.




**Don't forget, if you would like to participate in the challenge from the sidelines, post your finished garment on the Flickr page! You will be entered into a random drawing to win a FREE pattern from Pamela's Patterns!**

Let's see what the contestants created...




My 28th wedding anniversary is coming up, so I decided to make a special occasion dress for this challenge.   My husband’s favorite color is purple, and our bridesmaids wore eggplant satin gowns, so I grabbed this eggplant satin as a nod to both of those things. 



The pattern, Vogue 1118, has an asymmetrical bodice, curved skirt seams, lining, side zipper and back vent.  Of the 16 pieces in the pattern, I altered 14 of them!   The full bust adjustment was particularly tricky since one side has a dart, and the other has pleats.  I had to distribute the adjustment between the pleats to balance the larger dart on the other side.  To add length for my height, I increased the length mid-skirt across 6 pattern pieces, truing up the curves, piece by piece.


That's not all!  This summer, I found out that I have scoliosis- which means that my spine curves to one side, which required more tweaking.  The shoulder area of the design is also asymmetrical, so it is hard to tell what asymmetry is me and what is the design!

Working with satin was quite maddening interesting.   If you rip out a stitch or have a lump or bump, it shows.   I alternated the matte and shiny sides to accentuate the design lines of the dress.   I like how the fabric looks so different in different lighting.  With all of the fitting and fabric challenges, this tested my abilities to the max.   I learned that I have a lot to learn!  



I’m going to love wearing this dress.  It’s fitted, but comfortable.  Classy, but unique.  Sexy, but age appropriate.  Perfect to celebrate 28 years of marriage  My husband's comment, "Aren't you going to be a little overdressed for McDonalds?"  Husbands....(shaking head).







This week’s challenge gave me a great opportunity to refine the fit of one of my favorite patterns: the Lola Tunic by Victory Patterns. This pattern is designed to be made with sweatshirt fleece, but last winter I made one in interlock and loved how comfortable it was. However, the fit needed improvement as interlock is much stretchier than fleece, which resulted in lots of sagging. I could not simply size down as I’m petite and was working from a size 2, the smallest size in the envelope.


Working from last year’s version, I essentially redrafted the pattern for a slimmer fit. Specifically, I reduced the circumference of the horizontal “waist” seam all around the tunic. I also reduced the cup size along the princess seams, even though I’m a D-cup! That tells you what a difference fabric makes. I also removed a large wedge from the vertical back seams to eliminate unsightly pooling on my lower back. All these pattern changes needed to be precise across multiple pieces in order for the seam lines to match up as designed—quite a challenge for someone like me who is typically a more fit-as-you-go person! I also omitted the pockets as I felt they added extra weight on my hips when I was aiming for a sleek silhouette.


My leggings pattern is McCall’s 6173, which I love for its slouchy ankles. My ankles always get cold but the extra fabric keeps them warm. I had to make plenty of changes for my petite frame even though it’s only one pattern piece. I reduced the length in two places (which maintained the proportions) as well as shortened the rise. I also adjusted the center back crotch curve to fit my shape. Finally, since my fabric wasn’t as stretchy as others I’ve used for this pattern, I used ½” seam allowances instead of the standard 5/8”.


I’m thrilled that I now have two versions of the Lola pattern depending on what type of fabric I’m using. And we know from last week that I love pink and grey, so this entire outfit is a big winner for me!






I selected Burda 7137 because I have successfully created a fitted sheath dress in the past from that pattern (link: http://sewing.patternreview.com/review/pattern/96572).  BUT--here are two differences this time...first the fabric is a non-stretch wool gabardine with a non-stretch lining, and second, the fabric is a solid, not a print.  Because I *know* that stretch wovens with a print can hide a multitude of fit issues, I knew that with this fabric choice, I would have my work cut out for me, even though the first dress I made from this pattern was a slam dunk.  


I was right, btw.  The wool gabardine is beautiful, warm, and luxurious, but hoo boy was I glad I made additional changes to my pattern to accommodate the non-stretch fabric.  It fits very well now, but had I left the pattern the way I had made it for my last version, it would have been very close-fitting, which was not what I was looking for with this dress.  Beyond that, wool gabardine shows the fit issues much easier than other fabrics, so it really is not the best option for a very fitted garment. 

To make sure the dress would fit me precisely, I added a 1/2 inch below the front dart end (and its corresponding point on the back), making sure to grade out from a point above that so the lovely curve of this dress's hipline would be intact.  I also made sure to keep my original square shoulder adjustment which worked well for me in the past.  Lastly, I deepened and lengthened the back neck dart since the original dress I made from this pattern has a bit of a gaping back.  



For anyone with a pear shape, you know how difficult it can be to find a fitted sheath dress without sacrificing either the fit at the top or bottom.  I have so many dresses that are either too large at the top and fine on the bottom, or perfect-fitting on top, but too tight on bottom.  I love that I can sew a fitted sheath dress to work for my exact frame.  :-)

I chose wool gabardine in a solid pine green color.  I love this color, especially for Christmas time, and the wool gabardine is so lovely and old-fashioned feeling.  The whole time I was making it, the smell of the wool brought me back to my grandma's closet.  I think people used this fabric far more in the mid-century than they do now.  I lined the dress in a poly of some sort that may have a touch of rayon.  It is a mystery fabric, but is lovely on its own, and suits the weight of the gabardine.  It is also slick enough to properly fall over tights without sticking to them.  I also chose vintage-looking buttons I found at G Street to top off the tab detail on the sleeves.




How can you use this solid garment in your wardrobe?  I will wear it at Christmas time, of course.  :-)  I have many occasions at that time of year that call for a conservative dress in a festive color or print.  I also will use this to teach in when I substitute at my kids' school, since it has a modest dress code requirement.  I also will use it when I want to showcase AMAZING accessories since the solid color lends itself to being the background for beautiful baubles and beads, etc.  I have very few solid garments in my closet.  I am definitely a print kind of girl, so I was glad Julie came up with this contest, even if halfway through I was shaking my head at how long everything takes me to sew.






When we first heard about this challenge, I wasn't sure what I should make.  I went back and forth between a dress and a button down shirt, but decided on the latter because it's nearly impossible to find a ready to wear woven shirt that fits my bust.  Plus, making one of these has been on my "to do" list for a while now, so I decided to finally take the plunge, and take a risk by making a type of garment I haven't sewn in about a decade. Really any dress would have been a much safer pick for me.



I chose to use Butterick 5678.  It's one of those ABCD pick-your-own-cup-size sort of patterns.  I measure into a 12-14 in patterns, but based on the measurements on the pattern tissue, I decided to go with a 10 (D cup).



I used a plain old woven for my muslin and made my final version in a stretch woven that I picked up at SR Harris in the Twin Cities.  It was labeled as cotton, but it is most definitely a cotton/synthetic blend (plus the lycra). It was not probably the best choice for this pattern with all of this top stitching, as it has a slight sheen and shows every stitch, but I'm happy with the flexibility it offers.


Fitting-wise, I ended up flattening out the top of the cup a bit, adding a small broad back adjustment to the shoulder area, shortening the whole thing above the waist by 1/2" and adding a 1/2" swayback adjustment.  In the end product, the back is a bit loose, especially compared to how well the front fits.  The sleeves seem long, but really need to be to account for the bending of the elbows; they are actually the perfect length as I type this.




This week's challenge had me quaking in my boots a bit! I decided to push myself and sew something I've never sewn before; a fitted, lined sheath dress!

While my garment fought me nearly every step of the way; I ended up with something that makes me deliriously proud and happy to wear! I love the fit I achieved on the bodice; my full bust often leaves me with a bunch of fitting challenges. It's a little more snug across the back skirt than I'd like, BUT I can still sit and bend in it!! It feels absolutely luxurious to wear!


I chose this pattern because it has been well reviewed around the sewing community and I thought it would be a nice dress to wear to celebrate my 4th anniversary. I used an amazing wool that I picked up from SR Harris, a warehouse here in town. I lined it with an acetate Vera Wang lining that I stashed from Fabric Mart sometime ago. This dress is just what I had in mind for a nice dinner out and I think it could easily be worn to a wedding or to the theater (I love live theater!).







I knew that I wanted to make a knit dress because I am really in the mood for fall sewing. One of my fall sewing musts is short knit dresses with sleeves.  The eggplant is a great fall color.  I am so glad my nephews helped me pick out this color.


When I think of a great fitting garment I think of a TNT pattern and my favorite TNT pattern is McCall's 5974.  The Perfect Knit dress.  This pattern is a Palmer/Pletsch pattern so it has a lot of helpful fitting information in it.  However, this is my 7th version of this dress, so I have a good understanding of what works and doesn't work for me.  




I made quite a few alterations to this version. I wanted to make the 3/4 length sleeves so that I can wear this dress all fall.  Unfortunately, the 3/4 length standard was about 5" to long for me, so I chopped it off.  Then the sleeves themselves were 4" to wide at the hem, so I took in each side of the sleeve by 2".  I tapered that 2" down to 1.5" at the under arm and then continued to taper it down to the original seam allowance at the belt.  This gave me a significantly better fit throughout the sleeve and the underarm.  You can see in the picture where I pinned it when fitting it, to figure out how much I wanted to take out. One of the other sleeve alterations I made was to the armscye.  I took off a 1/2" from each the sleeve head and the armhole so that the seam would hit right at my shoulder.  Without doing that the sleeve drooped done a little too much for my preference.  I also shortened the hem by 4" so it hit just above the knee.


I also eliminated the zipper since the knit fabric doesn't need one.  For the center front crossover I cross left over right instead because my right breast is a cup size larger than my left so when it is crossed right over left that difference is very noticeable and tends to gape open.. When crossed over opposite the garment appears even with no gapping.


I wore this to work today with my gray tights and gray sweater and it is a hit!  So many people complimented it and how great the color looks with my skin tone.  I also plan on wearing this with a chunky orange sweater and some tall brown riding boots.   Or even just a wide belt.  The possibilities are endless with this dress.  This will be a well worn dress this fall!



Sue from I Love to Sew!



Personally I like making pants. And while some people get annoyed reading reviews of the same pattern someone has created ad nauseum, I strongly believe that repeating patterns give you a chance to perfect the fit.


So what fitting issues did I deal with?
1.  Flat derriere.
2.  Wide upper thighs aka saddle bags--which btw are hereditary--thanks mom!
3.  Crotch curve--yes, everyone's is unique and I had to re-sculpt it to fit me!
4.  Waistline--no matter how carefully I measure and plan, I have to alter the waistline after I create the pants.  Luckily these days I have to take it in rather than out but it is tedious to get it perfect.






So, how did I do all this?
Flat derriere --I pulled out three sewing books from my library to figure out how to deal with this issue!  What happens to me is that I get a little pooling of fabric under my buns that looks like a cowl-neck.  I managed to take a 1/2" fold in the pattern tissue to eliminate the excess.  I had to work really hard not to over-fit in this area as I stated before my upper thighs are wider than I'd like so too much fitting accentuates my little pools of fat there.  So if you notice just a little extra fabric, that is a preference for me.

Because of the flatness, I had to rotate the back inseam to the front by 3/8" to get the inseams and outer leg seams to hang right.  I spent a great deal of time bonding with my seam ripper for this challenge!


Crotch curve issues....ah, the crotch curve!  I get these annoying little lines at the front crotch that I pinched out and took about an inch seamline. No more lines!

Back crotch curve was a different matter.  With that seamline I made a 'j' seam by taking in an additional 5/8" from the back seamline which can be seen in my photo.

Those were my main fitting issues.  Construction wise, I am very proud of how these jeans turned out!  They are very comfortable and I am very happy with the fit!  I like the addition of the white jeans thread I used to dress them up just a bit.  


Vote for who you think created the best well fitting garment.
VOTE NOW!!

Friday, September 12, 2014

Winner of 1st Challenge & 2nd Challenge Announced: It's All About the Fit

Wow. Let me tell you how hard this first challenge was to judge. There were a ton of creative ideas and great craftsmanship. It is amazing though what can happen when you get judges together and votes and put them together. 


The winner of the 1st Challenge is...




Congratulations! Your Scout Tee had a lot of detail, but was not overpowering. You still kept the essence of the Scout Tee in your design and the color contrast worked well. Great job!

You are the winner of two free patterns from Grainline Studio and move onto the next challenge!

Unfortunately, the person with the lowest score will be "going home." We're sorry to see Jenese from Needles and Fashion leave the challenge. 

Thank you to ALL the ladies for doing an amazing job. I cannot keep saying how hard this was for us!

Winner of the Flickr Page: Michelle is the winner of a free pattern from Grainline Studio. This was a randomly selected drawing. Please email me (fabricmartblog{@}gmail.com) to claim your prize. 

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2nd Challenge: It's All About the Fit

Fit is an important part of sewing any garment and probably the hardest thing for any sewer to understand and master. From my own experience, I try to improve fit in every garment that I make. Fit can also be determined by the kind of fabric you use and what pattern you choose. It can also be determined by fashion trends. Loose fitting garments have more room in them, but they still have a shape and fit. More fitted garments also need to fit properly. When you have "pulls or lines" in your fabric, that shows that the garment may be a little too tight. It takes a lot of practice and patience to get a well fitted garment! 



There are a number of fit methods that can be found in books, videos and blogs. Palmer/Pletsch is one of the most popular fit experts in the sewing community. They specialize in a tissue paper fit method and refine with sew as you go fitting techniques. Our guest judge for this week learned the Palmer/Pletsch method.

This week's challenge is inspired by the expertise of the guest judge, Pamela Leggett, from Pamela's Patterns! Pamela is an expert on pattern fitting. She will be giving you feedback on your garment fitting! 

The challenge is: Create one well fitted garment out of a solid fabric. The solid fabric will allow us to see how it fits. You can make a dress, top, pants, skirt, whatever will show is a well fitted garment for your body type. 

Remember, fit doesn't mean tight! But if you make a snug garment, remember what I mentioned in the intro paragraph. 

We will be judging on a 1-10 scale (10 being the highest) using the following criteria: 

Fit - Fit is going to be taken into more consideration in this challenge than any other challenge. Does the garment fit well? Share with us any alterations you made to make this garment fit your body better. If you're trying to disguise a problem area, share that information with us too! There are readers all over the world that can relate to your problem area!

Craftsmanship - Did you put a lot of care into the construction? Top-stitching straight, careful overall construction, etc. 

Presentation - While we totally understand not everyone has a professional camera and the perfect backdrop for photographing their creations, (Me included!!) you are in front of a world of other sewers! Make yourself look presentable. Submit a photo of the front, back and side view of the garment, as well as a "presentation photo" (this should be the best photo!) Detail photos are also requested so we can be better judges. So if you do some embellishing or a specific technique, zoom in and share with us! (Not all photos may be used in the final blog post, but shared with the judges.)

Tell us about your garment? What made you decide to select the pattern? What kind of fabric did you choose and why? How can you use this solid garment in your wardrobe?

The Guest Judge will be Pamela Leggett from Pamela's Patterns! Pamela is a fit expert and teacher of the Palmer/Pletsch Fit methods. You can learn more about Pamela through an exclusive interview here. 
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Entries are due by Tuesday, September 16th, with viewer judging on Wednesday, September 17th-Thursday, September 18th. The winner will be announced Friday, September 19th and a new challenge will begin!

PRIZES!!
The winner of the 1st challenge will receive three free patterns of their choice from Pamela's Patterns!


Reader Participation! 
Don't forget!! If you are watching from the sidelines, you can participate in the challenge too! Head on over to our Flickr page and upload your finished garment. Follow the same rules as the Challenge participants. Upload a photo by Wednesday, September 17th (made during the challenge please, no previously made items!) We will have a random drawing for the Flickr winner! They will win one free pattern from Pamela's Patterns. (All prizes are sent to winner at the end of the challenge.) NOTE: Please label your photo with "Challenge 2" so we are able to tell each challenge apart. Thanks!

Ready, set, go!!

Wednesday, September 10, 2014

Fashion Challenge #1 - Scout Tee - What They Made!!

Words cannot express how in awe I am by what these ladies came up with! I had NO idea what to expect and they have exceeded my expectations!! Great job to ALL of you. 

This week's challenge will be judged my myself (Julie), Shannon from Shanni Loves and winner of the the 2013 Fabricista Fashion Challenge, and Jen, owner and designer of Grainline Studio! I'm stoked to have both of these fabulous ladies help me in the judging process. Jen is a surprise judge to the contestants!! Along with the criteria below, we will be sharing with each of the contestants their strengths in the garment as well as where we feel they can improve. 

Winner of this challenge will receive TWO FREE patterns from Grainline Studio.



**Don't forget, if you would like to participate in the challenge from the sidelines, post your finished Scout Tee on the Flickr page! You will be entered into a random drawing to win a FREE pattern from Grainline Studio!**

Let's see what the contestants created...

Ann from SewBaby



I live in a university town with many international students. When they finish their degrees, sometimes they have too much stuff to take back to their home country. So, they give their things to us lucky locals. Last Spring, my daughter was given a big bag of pure silk sari scrap from an artist. 


When I got the Scout Tee challenge, I remembered the sari scrap bag and decided to take a look inside. They were so pretty! Saris have such beautiful designs and rich colors. I picked out a few pieces that I thought looked good together. I wanted to use a border print at the bottom of the shirt. I lengthened the shirt pieces a few inches to show as much of the border as I could. I also incorporated an embroidered elephant fabric by drafting front and back yoke pieces and I used a third smaller ikat print fabric for the sleeves. I widened the bias binding strip and used it on the right side of the shirt so that it would tie the yokes and main front pieces together visually. 



I imagine the path that the saris must have traveled-- from India to Illinois, through multiple owners - from sari wearer, to artist, to me. It looks equally good with white pants for a dressy outfit or with shorts for a summer day. I love my new t-shirt! The Scout Tee pattern is really well drafted and I'm sure that I'll use it as a base for many future projects. 






When Julie sent us this week's challenge, I was excited. I love t-shirts! But the Scout Woven Tee is a lot different than the form-fitting knit t-shirts I usually wear. Because the silhouette is rather boxy, I decided to make my version as feminine as possible without changing the overall design too much. I selected a lightweight cotton voile from my stash that had the perfect drape for this pattern.


On the front and back bodice, I sewed on lace hem tape to create a vertical stripe. On the front, I sewed two sets of three pintucks, and I carried over that idea to the sleeves as well. While redrafting the sleeve to include pintucks, I added height to the sleeve cap so that I could incorporate sweet, pretty gathers into the sleeve head. I lengthened the front and back into a high-low shirttail hem with side splits. Finally, to make sure this t-shirt was completely “me”, I used bright pink bias tape on the neckline and to hem the sleeves. I love pink, and rather than hide the bias tape facing inside the garment, I turned it outside so the whole world could enjoy it! I know from experience that voile frays a LOT, so the seam allowances on the side seams were turned under and topstitched on both sides of the seam. The shoulder, sleeve and armscye seams are all French seams.



In the end, I have a beautiful, feminine top that fits perfectly into my wardrobe, which is predominately grey, pink and navy. After sewing all those pintucks with a regular sewing machine foot, I think I’ll be treating myself to a quarter-inch foot with a guide!





 I love tees, but I am not much of a tee/jeans girl, and have always preferred dresses and tunics to plain old tees.  But I wanted to keep the tee in  "Scout tee," while really doing something to change it.  Hmm, I thought, what can I do?  Well, it struck me that if I made a tunic from lighter weight fabrics I could tuck a tunic into a skirt and have a tee!  (I have done this before with similar fabric tunics in the past.)  Well, just lengthening the tee to a tunic isn't enough to change it, so I thought, what else could I do?  Aha, I thought, pockets!  Pockets are awesome!  I grabbed a pocket pattern from a coat pattern I own and taking a dress with a similar line to the tunic pattern, found where those pockets hit and marked that point on the new tunic pattern. 

But being me, I knew pockets wouldn't be enough, so I added contrasting materials. The front a beautiful graphic printed lawn from a Julie's Picks last spring in navy/grey/orange/rust/light blue, and the back from a stretchy cotton pinstripe grey/white fabric (the pinstripe is not visible in pictures). The two work nicely together! 

 Well, after looking and thinking, I knew I needed MORE!  So I added a neck binding made from the pinstripe fabric so that it would add interest to the front of the tunic, and chose to figure out how to add a WORKING button placket on the back of the tunic from the printed cotton lawn fabric for interest back there.  I *know* I could have done a faux placket, but I have always wanted to learn how to make a real henley button placket (one that is only partway down a garment), so I found a great tutorial on-line and did it!  I am actually stoked at how well this turned out. So basically no one thing inspired me, it was a weekend of figuring it out, step by step, motion by motion.  :) 


As a tunic, I will wear it over leggings or skinny pants.  I can wear it on its own, of course, but I can also add a belt/tie to cinch in the waist if need be.  I also think this would be cute under a long cardigan and with boots in the winter. As a tucked-in-blouse, I really can onlu wear it with skirts since the length is too long to be tucked into pants.  But, it really does look like a proper tee/blouse when tucked into the skirt.  And since there are so many colors in the lawn, I really do have a lot of options for what color skirt to choose.







My entire outfit was inspired by Alexander McQueen. The moment I saw this outfit, I knew I needed it in my life!  Besides, I already had the fabric of which I picked up last weekend for $2.97 a yard.  The fabric did not have a type label.  But is a woven knit with zero stretch much like a textured suiting material, definitely polyester or rayon.  You can find the outfit (Here).  You see the price??? OOOUUCH!  


The great thing about t-shirt patterns is you can basically make ANYTHING using the pattern as a base.  Instead of doing the neck binding, I opted to create facing and understitch it.



 I created a video to show you the adjustments made to accomplish this look (HERE.) My pants are M6930 drafted into pants. You already know that is one of my staples!






Scout was a real challenge for me, for sure!  It was a bit of a struggle to make a woven t-shirt without a dart flattering on my bust. But I was determined to keep with the spirit of Scout by sticking with the a woven fabric and fitted shoulder and fuller torso. 


I adjusted my top to my form by adding a full bust adjustment (which I was able to absorb into the upper front side panel), I took the sides in at the waist a total of 3" and added a seam at the center back to shape a bit there as well.  


After several sketches, I decided to make a color-blocked top using curved style lines with a few extra whistles, such as tulip sleeves, peek-a-boo eyelet and a fun, curved center back hem.  I was a little inspired by the TV show I've been watching (Big Love), and a little inspired by folksy eclectic/mixed print looks I've seen in current fashion. 


I'm looking forward to including this top in my early Fall look for this year: it will be a great top for hanging out to going out.
I knew right away that I wanted an exposed zipper detail. This summer I saw this silk top that had cut on sleeves and was very simple but had an exposed zipper. I've been thinking non-stop about a tee with an exposed zipper! 


From there, I played around with doing a contrast yoke or a lace yoke but decided those options may be a bit too predictable. I started thinking about a lace overlay and from there decided to do this contrast overlay.


I think that black and cream/ivory is such a classic combination, so I knew this top would work with many items that I already have. I got REALLY excited to pair it with my newly sewn red pants.




I decided to have the overlay sit higher at center front and added just a little bit of swing so it would be more "swishy" than the top. Because I was going to attach the overlay like a lining; I drafted facings for the back, giving me a nice, clean neckline. The overlay was finished with a rolled hem on my machine; the top and sleeves with a narrow hem. The black is a (lovely!) rayon challis and the cream is a poly crepe. Both of these have been in the stash for well over a year. It's always fun to use stash fabrics up!




For this top, I first took the line art and started sketching possible modifications to it.  I had about 4 or 5 different ideas making it hard to pick just one.  I will be going back and making some of the other versions later, but for now this is the one that seemed like the most fun to make. 


I added a faux pleat to the front with three white buttons to go with the white Peter Pan collar.  I also split the back to make a yoke and added a box pleat to it.  


The sleeve is the only pattern piece that I left untouched.  It is made of a lightweight woven cotton that I got in a mystery bundle from Fabric Mart last year.  


It will be great for the remainder of the summer since it is so lightweight.  I also think it will work well for my fall wardrobe when paired with a cardigan.  I am thinking a dark blue cardigan would be perfect.  I really like this top because it is so different from what is already in my wardrobe.  I will definitely have some fun wearing this. ​





Sue from I Love to Sew!

My Scout Woven Tee started from 2 muslins and an assortment of thrift store garments since I was unable to find what I wanted to use from my stash or locally purchase. Embellishments were key to this top with various sized matching rick rack and bias cut pieces that included some embroidery using the decorative stitches on my machine. 


Details of the front including the bias binding neckband which was folded to the right side to highlight the color, texture of the fabric and the trim. I included the chartreuse rick rack peeking out of the seam line.


The back was originally going to include functional buttons, but as I progressed, I thought the overall design would become too busy. 



I had to use the button band from the dark blue top on one of the sleeves.  Notice the rick rack that is enclosed in the seam?  It adds just the right amount of detail to make this seam and buttons pop! 



I love the overall fit and casualness of the top and fabric combination!  




VOTE NOW!!